CCM12-MK3

Use it when the performer is standing and you need max level, with a sub on a 100 Hz or lower Linkwitz-Riley low-pass preset.

Use it when the performer is seated and you want full range. Gradually reduces output below 60 Hz.

Use it when the performer is seated and you need max level, with a sub on a 100 Hz or lower Linkwitz-Riley low-pass preset.

Use it when the monitor sits low on a tabletop and you want full range. Gradually reduces output below 60 Hz.

Use it when the monitor sits low on a tabletop and you need max level. Use a 100 Hz or lower preset on a subwoofer with a Linkwitz-Riley low-pass filter.

Use it when it is aimed straight ahead and you want full range. Gradually reduces output below 60 Hz.

Use it when it is aimed straight ahead and you need max level, with a sub on a 100 Hz or lower Linkwitz-Riley low-pass preset.

Use it when the performer is standing and you need max level. Butterworth high-pass at 100 Hz reduces more low bass than the lower-frequency full-range setting. For a sub/top crossover, start with LR presets.

Use it when the performer is seated and you need max level. Butterworth high-pass at 100 Hz reduces more low bass than the lower-frequency full-range setting. For a sub/top crossover, start with LR presets.

Use it when the monitor sits low on a tabletop and you need max level. Butterworth high-pass at 100 Hz reduces more low bass than the lower-frequency full-range setting. For a sub/top crossover, start with LR presets.

Use it when it is aimed straight ahead and you need max level. Butterworth high-pass at 100 Hz reduces more low bass than the lower-frequency full-range setting. For a sub/top crossover, start with LR presets.